![]() ![]() ![]() sets it apart from the rest by leaps and bounds. This projector's immediate transparency, compared to any other commercially available home or professional front projector (regardless of price). Its real appeal can immediately be seen when using a screen over 10 feet wide up to 85 feet (given a minimum required light level of 14.5 foot-Lamberts - DCI movie theater specifications). Not a projector for just anyone, nor just any home theater on a rainy Sunday afternoon, the SRX-R220 (and its smaller siblings, the R210, S110, R110, S105, & R105) is truly a top-end digital commercial movie theater projector, in competition only with a few other top-end projection products offered by Barco, Christie and NEC. A professional projector deserves a professional price: projector (SRX-R220 Body) $130,000, lens (five types) $30,000, LMT-200 media block (4k DCI RAID Server) $40,000 and Input Cards (four types) $5,000 each equals the $220,000 total price. In an increasingly digital world, the lines between home theater and professional commercial cinemas are really only blurred by cost. However, you'll need a dedicated 4k DCI media server, or one of the new 4k professional cinema cameras from Dalsa or Red Industries, if you are to see the full resolution capabilities of this fine instrument. But when it comes to compatibility, this commercial-grade projector will produce fantastically rich, bright images from just about any digital source on the planet, including 480i up to 1080P and even beyond to 2160P (4k) at 24, 30, 48, and 60 fps, among others.
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